for a brief moment hermans are cut free from their shackles and venture out from the black dungeon, dragging xylophones made from kraken bones and drums fashioned out of reptile skins the duo summon a battle chant from deep within. scores of allies join, endlessly banging the same rhythm relentlessly until the clouds draw and the red sun is no longer visible. a basic soul unit appears from the murkiness and descends upon the racket, bringing with him booming thunder and electric lightning, a dark army marching alongside him. the massive beat continues for days, shaking all those that hear it. slowy and steadily, the din subsides, the clouds part and the sun returns as hermans retreat back to the darkness to wait patiently until they are called upon again. zaires is the third of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever

portugals lake haze drops 3 warped bassline house bangers on uttu. strong influences from zomby, afx, sci-fi & uk urban music means you ve got some mad mashed up shitstorm of hype on your hands.

techno alert!! pascal roeder back on nb records with his lightning track lucia, with booooombastic remixes by dema, ortin cam and miss sunshine. one of frances finest techno producers pascal roeder back on nb records with his lightning track lucia. unbeatable strong remix business by shootingstar dema, ortin cam - the master of hard beats from belgium and miss sunshine, croatias techno queen.

the unknown heißt nicht nur der erste song, den sie für ihr gleichnamiges zweites album geschrieben hat, dillon thematisiert hier die instanz im leben, für die es keinen namen, keine beschreibung, keine grenzen gibt. das unbekannte kann alles sein: die sehnsucht, die liebe, der verlust, die vergänglichkeit, die angst oder das verlangen.
die vinyl-lp erscheint inklusive cd-version des albums.

cardiffs best kept secret chesus debuts on 4lux with a release of his own. 4 strong deep house tracks. cleverly combining the old with the new, chesus shows his amazing production skills once again. the single features collaborations with fellow cardiff producers kofi tarris and, of course, the organ grinder with whom he previously released the club banger steam roller. tip!

shades rises from the minds of korova. the aim is at drawing new nuances in the immaginary spectrum of techno, to get the hearing closer to the sound of those hidden mechanical shadows. shades lives on dark visions and primitive rhythms, but nevertheless trusts in a future controlled by a lightning plot between humans and technologies.

antime a young berlin based label founded by martin steer (frittenbude / pandoras box / midimum) presents the v2 compilation, the first official vinyl release from a crew that has devoted itself to the different genres and varieties in electronic music for quite some time.

after a series of releases on various record labels hydergine is back on separate skills recordings. of course again with melancholic atmospheres and darkness driven dub techno music. recorded on a tape machine and mastered by helmut erler at dubplates and mastering, sspt006 is strictly limited to 300 copies in 12inch vinyl format only.

heavy aquatic house tracks by japanese producer mitsuaki komamura. slow and heavy tracks ranging from more electronic to dubby grooves. out there with releases of kassem mosse, pittmann and the likes. seriously good release!

slammin v/a ep

back with a renewed energy and purpose, latino-flavored rappers cypress hill climbed back into the ring for another round in the fight for hip-hop supremacy on iv, an album which is as much at home with ghetto street-kids as it is with california surfers.
with right hand man sen dog back in the fold, it completes the circle that b real and dj muggs once drew as one of the most influential groups in rap. with this fourth album, cypress hill managed to hit the #11 spot on the billboard album charts and it was certified gold.

60 hertz presents the next warm and beautiful ep. ready for the spring! nicht nur draussen soll es endlich frühling werden. auch in den clubs und in unseren hertzen. legt den schwermut des winters ab und freut euch auf den frühling. wir erwachen aus dem winterschlaf und machen dort weiter wo wir aufgehört haben. der zweites release, unser zweiter frühling. 60hertz veröffentlicht die nächste scheibe für liebhaber von deeper und beseelter elektronischer musik. die neue ep002 >zweiter frühling< featured baumfreund und electroe bredefeld.

only 1 per customer
ltd. box set: 2-fach heavyweight vinyl, cd, art-prints & lyrics, in hochwertigem roten buch-einband im samt schuber

nang powerhouse sare havlicek bursts back into the synth-scape once more with the first track from his second nang album. sare is a firm favourite here in nang towers and the mercurial, slovenian dynamo has hardly stopped for breath since his last releases on nang (a well deserved new masters comp, a co-mix credit on beach disco and also as part of the transatlantic disco alliance ep). to remix vibe on you nang have called in the talents of fellow adriatic funkster ilija rudman, who places his seal-of-authority on the sonics and gets brassed up. uk based head of bear funk stevie kotey pairs up with this lightning-fingered-keyboard neighbour manestar to create a cool cross between haddaway & ten city. sare contributes an instrumental and a slowed down, pitch-bent, 115 bpm version. his slyly retiled nothing you can do version jumps forward 4 years to 1985, sounding like a long lost stock-aitken and waterman extended 12 dance cut. stay tuned for sare album number 2 later in the year. weve heard it.. its a goodie.

sherard ingram returns to trust with his first release of 2011: misinformation campaign. this is his third ep for the label after bio electronic and social engineering. on this record sherard ingram contrasts his lightning-fast electro-inspired rhythms with lush synth melodies and glistening arpeggios. on occasion more menacing and dystopian moods gain the upper hand, such as on the b-sides >whos watching the watchers< and >defect<. this record is impossible to pigeonhole, refining a style that is unmistakably stingrays own and which has over the past years earned him the respect of the electro, techno, dubstep, electronica, and minimal dnb camps alike.

after his debut on baby fords trelik imprint, ld nero graces pomelo with profound house rhythms - delivering a perfect record for the hot season. title track be the light features a very catchy hook over deep strings and sparse but effective rhythmic programing, achieving an ethereal summer tune, floating and hypnotic, but grounded in the low end, - effective like a lightning strike in a steamy summer storm. the flip features two extremely stripped down house grooves, reminiscent of mid nineties house á la maurizio, applying subtle changes and transitions for maximum effectiveness on the dancefloor. timeless and classic

new and exclusive tracks by wolfgang voigt, superpitcher, michael mayer, the modernist, reinhard voigt, jürgen paape (vinyl only), mohn (a new project of burger & voigt).

from now on, the duo’s ascent was constant and then lightning struck: remixes for n.e.r.d, britney spears, franz ferdinand, u2, daft punk, lenny kravitz and an ep in 2006 (” waters of nazareth “) defining the “justice sound, this famous ultra-powerful compression of pop and baroque melodies, both dark and threatening, lightning and animative, and above all the famous justice image, the cross from which an earlier version figures on the first ep. 2007 was the explosion that will turn the duo into the emblem of a whole generation: their first album “†, anticipated like the messiah, holds all the promises, and swept everything away as an epic soundtrack. “†” is more than a magnificent synthesis of our time: its potential definition. 800 000 sales worldwide and 4 years later, the album is considered as a mainstay of the 2000s puzzled and tonic, one of the few who bridged the gap from pitchfork world to mtv without losing its credibility. ++etched vinyl + 90 cm x 60 cm poster (500 are signed by the band !!!)++

this latest single from disaszt is the third in a series of five to be taken from >shadow & lightning<, and delivers two of the dirtiest slices of dancefloor d&b you will hear all year. both tracks here are collaborations, >try me again< sees disaszt link with high maintenance a recent signing to shimons audio porn label, while >ultimate win< sees him join forces with regular studio buddies and fellow austrians kos & tenchu.

super limited edition re-press on heavyweight vinyl with brand new sleeve notes.

a storytelling debut album by oscar-winning actor and director tim robbins, produced by hal willner.

after a long 5 year hiatus from recording original material, stacey pullen returns with a future smash hit >alive<. the track features futuristic vocoder vocals from the man himself announcing his return to producing timeless music in a microwave lightning speed action pack world. the (original mix) takes you on a rhythmic adventure that keeps you wondering where hes gonna take you next, then the bassline comes in like a tsunami. stacey is experimenting with loads of new ways to capture your senses threw aural pleasure. with so many tracks released nowadays sometimes we forget about the melody which is important. alives techno mindframe comes to you full of different aspect to capture staceys musical intellect.

nice nice are jason buehler and mark shirazi, a duo from portland making incredibly precise yet completely wild noise jams that have drawn comparisons to a range of contemporaries, from fuck buttons to health to lightning bolt to animal collective. >see waves< is their addictive second uk release, and their second on warp.

nice nice are jason buehler and mark shirazi, a duo from portland making incredibly precise yet completely wild noise jams that have drawn comparisons to a range of contemporaries, from fuck buttons to health to lightning bolt to animal collective. >one hit< is their addictive first uk release, and their first on warp ? a powerful first impression equally likely to appeal to fans of noise / drone music (zu, earth, lightning bolt) as more rhythmic, structured artists (fuck buttons, pivot), psychedelia or shoegaze fans, and more brian enoesque sounds.

nice price deal !!! under secret construction in the on u workshop for the last few months, lee perrys interpretation of the black sabbath classic iron man is finally ready, complete with heavy boots of lead. with adrian sherwood at the controls, and additional input from renowned reggae producer dennis bovell, this full on thumping dub stepper finds scratch positioning himself as the iron man - lion man - lightning man - super man who dont drink no booze while sub basses throb and wobble the bolts from his joints and the beats hit harder than a rivet gun... surely not what ted hughes had in mind. the flipside dub mix arrives courtesy of pempi, who recently broke out with a track on studio rockers? at the controls compilation. pempi ups the full of dread quota with a heavy barrage of drums, stuttering synths and swelling bass, to create a version that has the potential to consume every motor vehicle in the southern hemisphere. iron man lives again!

a1: daniel bovie & roy rox have been struck by lightning i guess!! together with haze they are set for a real crossover hit record.
a2: disco beat has been getting massive support from guys such a erick morillo, axwell and many more! great club floor anthem creating dancefloor madness ,)
b1: bobby burns & afrojack made the first real club banger of 2010! anthem!
b2: another great record on this ep >fuckin down< is the club hit at the moment played by virtually everybody!

new 4 tracks ep from this brooklyn 3 piece, including former members of black dice, lightning bolt, and plate tectonics. title tracks builds steady bass and guitar atop afro percussion, with vocals veering from japanese to english. other cuts have a paradise garage disco sound. modern. fun. funky

cornerstone could be considered one of alex turners finest creations. the follow up to crying lightning looks set to crossover as maybe only flourescent adolescent has before. the 7inch contains a brand new b side recorded during the humbug sessions entitled catapult.

let me do yore starts off in tribal mode and then adds triangle and shakers to its relaxed percussive groove before shuttling off into the stratosphere where sheets of synthetic slivers dart past at lightning speed, the tracks bottom heavy pulse builds in intensity as claps and soulful voice swirls bring a delirious vibe to the proceedings. following a detroit tinged intro, a moment of truth slides into place with congas and claps helping it find its way. sizzling hi hats and a thumping kick drum deepen the groove while a funky bass line provides hip shaking accompaniment and marks the return of a house legend, who’s still at his best. soul never goes out of style, right?!

a temporary sabbatical from gigs was taken and the band wrote material for where were you when it happened in new orleans midtown district, where their rawboned compositions resembled the katrina-pummeled surroundings. with their girlfriends with them in as close to a stableenvironment as they d been in months, they were able to tap a darker, more personal side in songs like as noise, and hunt you down, with its mournful, organ drenched air belying monotonixs typical good time charlie posturing, while fulfilling the albums need for a climactic, balladic moment. where were you when it happened? finds monotonix visiting a greater diversity of places within their sound while still retaining their minimal appeal. mostly though, where were you when it happened works up a sweat with raw rock and roll, acid guitar licks and riffs, screaming choruses and, in general, the wildness of monotonix in a way that makes for repeated album listening (and pummelling). where most bands refine their production sound as they go forward, monotonix have reverse refined themselves, playing dirtier and more energetic to capture the lightning they are known for.

the arctic monkeys much anticipated third effort was co produced by queens of the stone age frontman josh homme and james ford. humbug is a voyage somewhere new - its a richer, darker and more powerul sound. its heavy yet melodic mixing offhand self analysis with verbal assaults. turners charismatic vocals remain centre stage with that sweetening flutter of vibrato. the songs remain stories - fabulously wrought and told, set to thrilling and adventurous music. its a more grown up album of irony, guile, riffs and tunes, yet it still very much the arctic monkeys.

mumakils behold the failure detonates 27 lightning fast firebombs of grinding metal with all the subtlety and remorse of a suicide bomber. this is grind as fuck!

already played by karotte & shinedoe
16 billion drum kicks is the new major sino outing introducing brazil’s top electronic music producer, renato cohen. it delivers here a cleverly produced fusion of tribal-esque grooves, samba jazz and funk amalgamated onto its firm foundation of its dancefloor techno roots. with the help of legendary guest artists such as 70’s brazilian samba rock marku ribas, sao paolo’s samba virtuoso bocato and techno hero technasia, amongst others, renato conveys a combination of sonic subtleties and frenetic nuances that takes the listener through a myriad of emotions. a first fresh album sure to build on you, it is both a gem to listen in a relaxed state of mind as well when engaged in lightning pace.

baltimore trio double dagger creates a cacophonous wall of sound. their dynamic combination of energy, melody, angst, and playfulness is captured exquisitely on their third full length thrill jockey debut. lp is limited to 1.000 copies and includes free download coupon. double dagger has performed with no age, lightning bolt, pissed jeans, pere ubu, and the buzzcocks, and they ve toured extensively with dan deacon and the deathset.

neo-trance theme !!! angels of kindness are seesawing in their fluffy clouds while eavesdropping the new opus - and yes, one can easily call it an opus - of catekk. dunning the sound creeps up (up from the viennese flex club?) through this mundane labyrinth. muse awakened the apocalyptic riders with its kiss and instead of the twilight of gods you are served subtle grooves, which only admit zeus sharp lightning to pass through the thunderclouds of bass. thunderstorm and labyrinth makes, how could it else be? a markus lange remix, who obviously enjoyed remixing this big theme, while following catekks traces in the wind. whos still missing? yes, newbornchristians must be around, when it comes to remixes with the perfect relation between foolishness and intelligence.

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

the princess of hardcore strikes again with thunder and lightning!

legendary quentin tarantino movie!!!first part of the motion picture soundtrack!!

the debut album from nic fanciulli & andy chatterley part 1 of 2. including remixes by unkle/ steve mac/ matt tolfrey & inxec/ funk d void

the faints dapose drops zombie aesthetics, the debut album of electronic madness from his metal alter ego vverevvolf grehv. zombie aesthetics is a 21st century synthesis of idm, sinister vocals, and visceral metal guitar. without question, vverevvolf grehv is unlike anything you have ever heard or experienced. vverevvolf grehv is the debut of the twisted metal project of the faints dapose! vverevvolf grehv have played with the likes of yeah yeah yeahs, lightning bolt, cephalic carnage, a life once lost and more. the vinyl is limited to a pressing of 1.000 copies only! for fans of: fantomas, lightning bolt, agoraphobic nosebleed, genghis tron, melt banana, blood brothers, boredoms.

nice price deal !!! formed of s windett on vocals / guitar and arp on drums, the pyramids are the louder, heavier, seedier little brother of archie bronson outfit. the two members of the archie bronson outfit who, during the long sessions for their remarkable second album, derdang derdang, felt a craving to crank out some instantaneous, lightning in a bottle rock n roll. recorded in a rickety barn deep in the countryside on an old 16 track tape (the same one which recorded pj harveys dry), hunch your body, love somebody is a raw and edgy song about fucking and getting over someone, and a taster of whats to come from the bands self titled debut album, due for release later this year. the songs for their spirited, sulphorous debut were written in a single weekend, observing the pyramids hunger for the moment. the takes captured on the album were often the duos second or third run through the song in question. comes in special pyramid shaped vinyl

massive hi class dubbin raggae classics / paul st hilaire on the backing vocals !!

phat noisy, dark and dirty electro tunes !!

played by james mowbray, jeff samuel, john tejada!! news from the anti claves-biter fraction: sub static-label boss falko brocksieper follows suit and warms up for the next album-quantum-leap, however, as a finger exercise first, there is this small, fine ep with three elegantly knitted smashers for the dj from world. as usual this man simply shakes the funk out of the sleeves, so he can afford to pass big music already for the aperitif, which is always best for the meal, right? >esque< builds up the break culture quite high, without falling however, as the pleasantly massaging bass foundation stands firmly against wind and tide. this is the club counterpart to the lightning rod, bundling the crowd s attention perfectly and focusing it to one point, between a glass of vodka (located at the dj-booth) and the horizon (in the head, man, in the head!)

led lightning effect cube! -> very smooth colorful changing lights dimensions 30cm x 30m x 30cm, 48 good lightning leds (16x red, 16x green, and 16x blue), weight 2.9 kg, rated voltage 4.5 v, 500ma, for 230 voltage

incl remixes by robag wruhme, black strobe, motor, x-press 2, dubfire...

2nd in a series of remixes w/ rmxs by soundstream (minimal techhouse), francois k (breakbeat pressure) & substance (minimal dub) - killer !!

excellent deep techno,big floorbanger &summerhit auf den kommenden festivals